Voidness Of Touch

V O I D N E S S O F T O U C H

T H E P H Y S I C A L C O N T A C T A S A D I R E C T T O O L T O U N D E R S T A N D M A T T E R

VOIDNESS OF TOUCH is a performance based on exploring vibration through touch and electronic processes. A simple dialogue between a human and its inherent matter. Snow, sand, dust, stones - all have different constitutions and can be understood not only through their visual structure but also through their physical vibration. There is no static matter, everything - including the most vigorous solid stone - has movement and frequency response. Through a sonic approach the audience is taken to a raw amplified world, clashes produce unexpected sounds and are worked as stronger, louder amplified waves. Every response from the organic materials to the body are electrically amplified through a meticulous sound process. Although the materials change, there is always the simple idea of creating a dialogue between sound processing, physicality and movement.

ACKER STADT PALAST, BERLIN, DE
2014, CURATED BY ANETTE CALACIOPPO

PERFORMANCE
stones, sand, soil, mirror cube
contact microphones
40'

ARRAY SPACE, TORONTO, CA
2014, CURATED BY MICKLE LYNN

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SILENT BARN, NYC, USA
2014, CURATED BY DON NO

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MUSEU DA GEIRA, GERÊS, PT
2014, SUPPORTED BY THE TOWN BOARD OF TERRAS DO BOURO

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URBAN SHAMAN GALLERY, WINNIPEG, CA
CLUSTER: NEW MUSIC AND INTEGRATED ARTS FESTIVA
2014, CURATED BY HEIDI OUELETTE AND LUKE NICKEL

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SVV, BERLIN, DE
2013

PERFORMANCE
ice, water
contact microphones
40'

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